In my previous post — that was both lauded and lynched* — I complained about how most depictions of women in photos and artwork make them look more endangered than dangerous. As a follow-up to that post, here are some photos and artwork that don’t make women look like feeble idiots when they pick up a sword. Truly, quite the opposite.
We’ll start with Brienne. There are multiple stunt coordinators on the Game of Thrones TV series, but only one swordmaster listed — C.C. Smiff. Whether it’s Smiff or someone else, whoever handles Brienne’s fight scenes keeps her in good form. She actually looks dangerous and competent both onscreen and in these promotional stills. And she’s highly watchable when she’s fighting. Great stuff. Notice that, unlike the women in my previous post, she keeps the sword tip forward and away from her face.
They do a terrific job with Arya and her Needle, too (although some of Maisie’s out-of-character publicity stills are a bit unfortunate).
While Xena’s armor is sometimes ridiculous and her grip in this photo isn’t perfect, I like this picture because, unlike that still of Michonne in my previous post, she’s actually protecting her head with this katana.
It’s no surprise that some of the better photos and artwork are Asian. My friend Keith in the link I gave above posts some stunning stills from Asian action films and artwork that take women with weapons seriously. On my own without Keith’s expertise, I couldn’t find much, but I do like this one:
And although her saya should be secured in her hakama belts rather than detached, this is still beautiful:
I pick on the saya issue because it’s a critical piece of equipment that protects your sword. If it’s not hitched to your hakama or whatever, you’ll drop it and lose it in battle. Therefore, if you keep it handy, you’ll be able to protect your sword after the fight. Ergo, you’ll continue to protect yourself and probably shorten the life of your next enemy.
Turning to comics, the preliminary artwork for Ann Nocenti’s “Katana” by Alex Sanchez looks really promising:
For the record, while I appreciate the strength they are trying to imbue this character and others by having them hold a katana one-handed, the sword just doesn’t work that way. It’s a two-handed weapon. Now, if you’re practicing nito-ken, that’s different because the two swords are working together in a scissoring technique. But a one-handed katana doesn’t really work as well. The power behind your cuts comes from your core. Really muscular folk can kind of blast their way through anything and make it work to a degree, but proper handling is what gives the katana its best edge, so to speak, for the deepest and most deadly cuts.
Some people complained that I was just being an authenticity Nazi in my last post. They entirely missed the point. Compare the women in these images to those in the other post and you’ll see what I mean. A change in grip and stance can mean the difference between wet dream that couldn’t hurt a fly if she tried to a gorgeous bad ass who’s going to thread her “needle” with your intestines. You could argue that it’s “just eye candy” and “art.” But why does art have to debilitate women? Why can’t it make them look strong, dangerous and sexy at the same time? If you want to draw naked chicks, fine. I’ve got nothing against naked chicks, porn and erotica. In fact, I love it all. But this disingenuous “arming” of the arm candy is just infantilizing bullshit.
I’ll end with two more brilliant shots of Alex Kingston as Boudica.
*MODERATION POLICY: I’ll approve only courteous comments that contribute. I didn’t publish all of the comments I received for the last post because almost no one was interested in a constructive conversation. Most people were either bitterly offended that I had hard words for Michonne’s sword stance or didn’t get the issue at all (they didn’t sound as if they’d read the whole article). So, please be polite, even if you disagree.