I’m incredibly excited to announce that SNOWBOUND: Book 2 in the Bloodline of Yule Trilogy will be coming out September 8, 2018 from Ghede Press! This is the sequel to SNOWED, which won the 2016 Bram Stoker Award for Superior Achievement in a Young Adult Novel and was nominated for the 2017 Anthony Award for Best Children’s/Young Adult Novel.
SNOWBOUND: Book 2 in the Bloodline of Yule Trilogy
The events of that deadly Christmas night changed Charity, her friends, and the entire world forever. Since then, Charity has been dreaming about a set of latitude and longitude coordinates in the Arctic Ocean where she believes Aidan has been taken by his monstrous father, Krampus. Driven by revenge and desire, Charity harnesses trickery, technology, and questionable resources to lead her team to those coordinates to kill Krampus and save Aidan. What she encounters on and beneath the ice nearly destroys her. But when Charity discovers Aidan’s shocking fate, she makes a fatal mistake that starts a countdown to environmental apocalypse. Can she stop the clock? Or will humanity pay the ultimate price?
Release Date: September 8, 2018
With over 20 years of professional marketing and fiction writing experience, I realized it was time to apply my expertise to my own indie publishing company. With the critical acclaim of both Mr. Wicker and especially Snowed, I decided this was the place to start. Also, many people in my crime writing family have urged me to publish my Detective Henry Cake crime satire series, starting with the first book, No Rhyme Goes Unpunished. This sort of niche writing can more easily find its audience online. Ghede Press is perfect for that. No Rhyme will be coming out sometime in early 2019. Stay tuned!
This essay appeared in the program book for the 2017 StokerCon convention, which took place April 27 – 30 of this year on the Queen Mary. George R.R. Martin was the Guest of Honor.
“Pfui, I say. Let’s mix this with that and see what happens. Let’s cross some genre lines and blur some boundaries, make some stories that are both and neither. Some of the time we’ll make a mess, sure… but once in awhile, if we do it right, we may stumble on a combination that explodes!”
— GRRM, “Hybrids and Horrors,” Dreamsongs: Volume I
Each year on Epiphany, Len Wein and Christine Valada throw a remarkable party that they simply call “Twelfth Night.” If you’ve ever been to a party at the home of the man who created Wolverine and Swamp Thing, and whose wife is a four-time Jeopardy Champion and former photographer for the Washington Post, you’d know this party is a Who’s Who of fantasy, science fiction, comics, animation, TV and film. Notables such as Nichelle Nichols, Harlan Ellison, David Gerrold, Melinda Snodgrass, Larry Niven and Steven Barnes are just a few of the major talents decking the halls at this event. Even when I love an author, I tend not to find out what they look like. With the exception of Harlan, it’s been at Len’s parties that I’ve put a face to the name of many literary heroes.
It was Epiphany night, 2010. I’d been to dinner numerous times at Chris and Len’s house, but this was my first time at their famed Twelfth Night. As soon as I entered, a fellow named Michael greeted me, anxious to introduce me to someone called “George” wearing a Greek fisherman cap and suspenders. But “George” seemed to be surrounded by people all the time, and since I had no idea who he was, I didn’t pursue the introduction. Besides, there were so many interesting people there. No rush. Instead, I ambled, ate, and chatted with other guests, some of whom were friends.
Eventually my back ached and I wandered into a room on the far side of the kitchen, searching for a seat. Unable to find one, I tried crouching on a footstool when Michael’s wife, who was sitting on the futon with “George,” got up and insisted I take her place. I thanked her profusely and proceeded to have a wonderful conversation with “George” about LiveJournal, Lovecraft, Robert A. Heinlein, and much more. He asked me how I knew Len, and I told him about how we met at LosCon. I then asked him, “So, how do you know Len?”
“Oh, we used to write comics together.”
“Of course you’re a writer! What’s your name?”
At that moment, I was dimly aware that the room had fallen silent, all eyes and ears locked on the unlikely exchange. You could have heard the wind whistling past the tumbleweeds as he replied:
“George… R.R. …Martin.”
I sighed and rested my head on his shoulder. “I…love you.”
The room erupted with laughter, including George’s. (Chris told me later that he’d loved my reaction.)
Thinking back on that conversation, I realize I got a glimpse into Martin’s personal chemistry lab in his approach to horror. His this and that in our discussion were H.P. Lovecraft and Heinlein, but he has many other ingredients. Not only does the blurring of boundaries make his work “explode,” but he’s also changed the boundaries of the horror genre itself.
His 1979 novellette, Sandkings, for which he won both a Hugo and a Nebula Award, brilliantly illustrates. Simon Kress is a wealthy man who adopts alien pets called Sandkings and tortures them to make them war with each other. The Sandkings’ bloodlust mingles psionically with Simon’s, and it’s not long before a prolonged bloodbath ensues at Simon’s hand. And then in 1980, Martin’s Nightflyers novella would introduce an unusual serial killer on a spaceship. In it we discover blood and brains are messier in Zero-G, and that laser cutters wielded by disembodied hands are more terrifying than bad guys with guns.
Martin certainly doesn’t need to smudge genre lines to scare the living hell out of us. His short story “The Pear-Shaped Man” falls right in the boardroom of the Horror, Inc. It won the 1988 Bram Stoker Award for Long Fiction from the nascent Horror Writer’s of America, and left its readers gagging on imaginary cheese curls for months after reading.
But it’s when he reaches into his chemistry set and mixes with glee that we see his greater genius. Fevre Dream set the genre world on fire with its antebellum vampires. In this story, Martin’s new species of nocturnal humanoids embark on a life and death quest as they travel Mark Twain’s historic Mississippi on the Fevre Dream, the latest and greatest steamboat ever made. We feel for its captain, Abner Marsh, our simple yet respectable protagonist struggling with his enigmatic partner, the soft-spoken Joshua York, who eventually takes them and their glorious steamboat into utter peril. As it explores the concept of slavery in surprising ways, the story is so atmospheric that you can feel the humidity of New Orleans and taste the savory meals that Marsh eats with gusto. Nominated in 1983 for the World Fantasy Award, this book was like no other vampire story we’d seen before. People who didn’t like horror or Anne Rice’s books couldn’t get enough of Martin’s vampires.
And then there’s the ubiquitous A Song of Ice and Fire series. “J.R.R. Lovecraft” is an apt description because Lovecraft’s nihilism pulses in the molten core of Martin’s medieval fantasy. The pervasive darkness of the series, brightened only by Tyrion’s bon mots, is its overriding feature, providing a cornucopia of horrific elements. Rape. Betrayal. Cannibals. Murder. Homicidal demons. Human sacrifice. Torture. Mutilation. Vivisection. Execution. Assassination. Resurrection. Patricide. Infanticide. Suicide. Regicide. Genocide. Crushed skulls. Flayed corpses. Animated corpses – that is, the White Walkers, Martin’s zombie hoards that are about to overrun the Seven Kingdoms from the North. If their blue eyes that “burn like ice” don’t chill you to the bone, nothing will.
HBO’s Game of Thrones adaptation has put horror in almost every home in America, not to mention across the globe. People who would never read Stephen King devotedly read the A Song of Ice and Fire series and watch Game of Thrones. It’s an unprecedented advancement of the horror genre, and we have George R.R. Martin to thank for that.
I first met Len Wein, famous co-creator of Wolverine and the new X-men, in the hallway late one Saturday night at LosCon in 2003. I wore a pink satin corset with garters and a big Betty Page sunhat as I was helping BDSM friends sell corsets and floggers out of their hotel room. I’d done my author gig earlier that day, and now it was time to play. Parties abounded and Len was no stranger to them.
I winced with embarrassment when I told him I was a guest at the convention. Compared to Len, I was a baby writer, a mere infant running back and forth over the pages, leaving messy inky footprints. But he never spoke to me as if I were. Not that night.
We kept in touch. A little, anyway. Honestly? I never knew what to say in email. “Hi, Len Wein. How genius are you today?” Because the truth was I’d had a crush on Wolverine ever since I could remember. (I crushed on larynx bruisers and bad boys. What can I say?) I thought the sexiest thing I’d ever seen was a painting of Wolverine kissing Jean Grey, her fist pressed to him as she sort of protested. I died when I saw that.
Anyway. Six years later.
In January 2009, I’d started dating a sweet Jewish man named Bret who I thought was the dreamiest of my goth girl dreams. We’d only been together a couple of months when I got a strange phone call from him. Somewhere in my daze phrases like, “Len and Chris’ house,” “digging through the ashes,” and “Harlan was here” drilled into me like lightning. Worlds literally collided. Bret knew Len. Harlan Ellison, of course, knew Len. (“My only two friends in the world are Len Wein and a dead dog,” Harlan is famous for saying.) I’d met Harlan before through mutual friends. And apparently Len and his amazing wife Chris had just lost their home and one of their dogs to a terrible fire.
We helped move them from their temporary home to the gorgeous new permanent one in Northridge. I’ll never forget those countless rows of looooong comic book boxes stacked like beehives in the living room.
Len and Chris then invited us to their famous annual Twelfth Night Party the following January 2010. That’s where I met and promptly embarrassed myself in front of George R.R. Martin. (I wrote about this incident for StokerCon this year. Jesus, I can’t believe I forgot to post that essay. Okay, soon. I promise.)
When “Game of Thrones” first aired, Len and Chris invited us to watch the premier at their house as part of their Super Sunday Supper Squad — a group of friends who met every Sunday evening to watch “The Amazing Race” and now “Game of Thrones.” Those friends were writers, actors, and other creative types. All wonderful people. Many of them have since become beloved friends of my own. After that night, as we wondered if it would be okay to ever come back, we were informed that once invited always invited. So, we returned.
Every Sunday night, Len sat at the head of the table, busting out the puns and Broadway lyrics. One night he sang a line from musical theater to me. My blank stare must have given away my ignorance, a palpable sin.
“You’ve never heard that?” he said.
“Remind me why we keep you around?”
“Because I’m cute?”
He nodded. “Yeah. Okay.”
We both laughed.
I cherished those Sunday nights. No matter what happened during the week — and wow a LOT happened between 2010 and 2017 — I knew I had somewhere to go where I could natter with kindred souls. Where I could eat delicious home cooked food, and someone would get my dorky jokes. However, I first had to survive the ritual of three very excited golden retrievers bombarding me at the front door. Len’s pride and joy. I loved those dogs and still do. There’s nothing more wonderful than a golden retriever bringing you a slobbery toy and rolling over, feet in the air for a belly rub. I even helped name their youngest dog, Ginger.
He couldn’t have married anyone better than Chris. I admired her the moment I met her. She was not only the Mama Lion who looked out for him and the family, but also a gifted photographer who took photos for the Washington Post, an IP attorney, a phenomenal cook, and multiple Jeopardy Champion. God, I can’t believe the things I’ve watched her pull out of the air at King’s Trivia. We used to regularly crush the hopes of dozens every trivia night at the Paragon Bar & Grill. Between Chris and Lisa Klink (TV writer, author, and yet another multiple Jeopardy Champion), few stood a chance.
Damn, I have smart friends.
Len and Chris visited my condo on my birthday just after my mother had passed away. Once again, I cringed with embarrassment because in my grief I’d forgotten to put away the two Wolverine figurines I kept in my office. Still, Len kindly signed my Watchmen book. I think I only have one other thing he signed. And very few pictures taken with him except this:
I think this was a timer photo of our Sunday Super Supper Squad. That’s me and Bret standing behind Len on the right.
I made so many incredible friends at Len and Chris’ house, like David Gerrold and Steven Barnes. I (re-)met Larry Niven, have had several conversations with Melinda Snodgrass, and befriended Chris’ sister, T, a fabulous actress. I even live-tweeted a food fight there between Harlan Ellison and Emo Phillip’s wife, Kipleigh Brown, at David’s birthday party. Earlier that night, I’d been in a bouncy house on Len’s front lawn with both Emo Phillips and David Gerrold, which meant only one thing: I had to dream a new dream.
Swamp Thing by Charles Vess. Used with permission.
When Len’s health started to seriously deteriorate, I silently panicked. Well mostly silently. I sent Neil Gaiman increasingly crazed messages. “Come see Len! He’s stopped eating! He’s talking to the guy with the scythe RIGHTFUCKINGNOWGETOVERHERE!!” I stopped bothering him because I didn’t want him to feel guilty for not being able to be here.
I tried to see Len in the hospital whenever possible, toting PBJs made his special way (creamy peanut butter, grape jelly, white bread, no crust) when he stopped eating. Towards the end, he was as paper-thin and fragile as an autumn leaf. He reminded me so much of my mother in her final weeks. Unlike my mother, however, his mind remained extraordinary. He died with open contracts for work on his desk, a powerful storyteller to the very end. His body might have failed him prematurely — from diabetes and other ailments — but his mind would have continued to generate lights bold and brilliant for many years to come. Len the punster, the ineffable weaver, splicer and dicer of words. Singer of All The Songs. Giver of hugs and encouragement. Ever gracious, kind and consoling.
And funny. Jesus, he was funny. (Of course, right now I can’t think of any Len jokes. Instead, I’ll just sit here, makeup running down my face, looking like Alice Fucking Cooper.)
I cried my head off while we were watching Logan because Len was in the hospital at the time. Again. Logan reminded me that even Wolverine would leave this earth someday. And I didn’t want that to happen. Ever.
(By the way, Logan was the best X-men movie. Fight me.)
Anyway, some of our mutual friends are saying that, while we can’t ever hope to have the cultural impact that Len did with his work, we can certainly emulate his kindness, generosity, and good humor. They’re right. But goddamnit, I’m going to try to make the best impact possible. Even if I never succeed, I’ll know I’ve done my best. I don’t think it’s a coincidence that my work won two Bram Stoker Awards and was nominated for an Anthony Award since I became friends with Len. His presence in my life was profoundly inspiring.
And like I said, he never for a moment spoke to me like I couldn’t make an impact like his, even if it isn’t possible. That kind of gentle spirit is precious. That’s really what made Len a treasure. Not just his coterie of fantastic characters — Wolverine, Lucius Fox, Storm, and Swamp Thing to name just a few — but his utter sweetness.
Just before the funeral, we gathered our cars at the foot of the hill at Forest Lawn, anticipating the procession up to the grassy hillside overlooking the DC Comics corporate building. Bullet gray clouds thickened in the sky. Chris had asked us to wear some “comic flair.” While others wore capes and comic book t-shirts, I drew the signature black swirl of Neil’s Death under my right eye and carried a black parasol. Seemed fitting. One of our mutual friends hugged me tight and said in my ear, “You know he was proud of you, right?”
“No,” I whispered, taken aback.
“Seriously?” she replied. “He talked about you. He was very proud of you.”
Goodbye, Len. It meant more to me than you could have ever known to be a part of your life. And please don’t worry about Chris, Michael and T. We’ve surrounded them in love.
I originally wrote this post back in January 2016 and never finished it. Things are obviously far worse now. Internet lynch mobs and more got me thinking about this post. So, I’m publishing what I wrote at the time and adding some retrospective commentary at the end. Read on.
I was talking to my friend, author Christa Faust, about the never-ending parade of Internet asses who continuously shower others online with obscenities, insults, and threats. We’ve all experienced someone saying something online they’d never dare to say face to face. It’s usually inexplicably vicious or socially unacceptable. I mean, if a guy at a party started shouting at a woman that she “deserves to be raped,” he’d probably (unless the hosts were even bigger jerks) be told to leave and universally condemned by the other party goers. But online, that happens constantly with perhaps condemnation but rarely expulsion.
Christa asked me if I remembered The Invisible Man — not just the H.G. Wells novel, but rather its first movie adaptation of the same name directed by James Whale in 1933. It’d been a long time since I’d seen that film, so I rewatched it and found it’s a prophetic look at how people act when they’re “invisible.”
Claude Rains’ character is a scientist named Jack Griffin who, at the movie’s opening, is already under the effects of a drug he created that includes an ingredient called “Monocaine,” which had been used experimentally as a bleaching chemical. He is totally invisible when he arrives at a village inn and starts abusing the people there. As his violence escalates against men and women both, we learn from a speech given elsewhere by Dr. Griffin’s old employer, Dr. Cranley, that Monocaine was once injected into a dog and, not only did it turn white, it went “raving mad.” And even though dozens of people have experienced the invisible man’s terrors, the police chief thinks it’s a “hoax” or in their imagination. He blames the victims for getting hurt.
Because he suffers no repercussions for his actions, the Invisible Man realizes the power he has. He thinks he can make people “grovel” at his feet. He wants to “put the world right” — and by “right,” he means doing whatever it is that he wants. Just after he strongarms his old science colleague, Dr. Kemp, to become his “partner,” he then the kills a policeman.
Suddenly, now everybody takes the whole “invisible man” thing seriously. After someone — an authority figure — has died.
The Invisible Man runs off and kills a lot more people. Everyone locks themselves inside in their homes, terrified that the Invisible Man is going to hurt them. We learn from Dr. Griffin’s girlfriend, Flora, about how sweet he used to be. How deeply in love they were. But now that he’s invisible, he’s a homicidal maniac.
Obviously every Internet troll isn’t out there killing people. Ask them, and they’ll insist they’re just “reacting” to something someone says or “expressing an opinion” when they disgorge a cataract of insulting, hateful, abusive verbiage. It’s as if they’re not talking to real people, just screennames.
But online, every single person is the Invisible Man. He or she feels empowered by the invisibility — that is, the inability to see people face to face — and wants to “put the world right.”
I don’t think Vint Cerf, Steve Crocker and the other folk who engineered the early Internet knew they were essentially developing Monocaine. I think they believed they were building a powerful tool that enabled unprecedented communication. And, boy, did they. It’s also enabling the sickest, most virulently racist people to find each other and feel empowered. It’s enabled people who were otherwise shamed into keeping quiet by this passé thing called common decency to start letting their ids ejaculate into the public drinking water.
So, that’s what I wrote. It seems quaint in retrospect that back in January 2016 all we were worried about were the “invisible men” being hateful on the internet when in the meantime they’d found each other and were championing their quite visible, Twitter-loving hero: Trump.
It’s not to say there aren’t people of all political stripes engaging in the “invisible man” behavior, because they most definitely are. Internet lynch mobs of every persuasion are driven by the Monocaine buzz when it comes to “putting the world right.” Data-starved people are ruining other people’s lives via doxxing and death threats, not to mention just plain old harassment, and they’re totally okay doing so because they feel justified and sufficiently removed. But it’s mostly people of a particular political stripe that are engaging in domestic terrorism — shooting up a pizza restaurant due to an Internet conspiracy theory, killing black people in a church, bombing a mosque in Minnesota, shooting Hindus in a Kansas bar, murdering Sikhs in Wisconsin, just to name a few. The invisibility is emboldening these folk the way it did character Jack Griffin to “put the world right” IRL.
We can no more take away the Internet than we can roll back anything else to the 1950s. Nor would we want to. But we’ve got to be aware of when we’re personally under the influence of “Monocaine.”
The question is: Would we admit it, much less stop, when we are?
Maria here. Please give a warm welcome to author J.L Gribble as she makes a guest appearance on my blog! The latest book in her Steel Empires series is about to be born, and I’m pleased to have her talk about her monsters. Take it away, J.L.!
A major reason why I probably don’t write horror is because I think monsters are people, too.
This isn’t to say that I dislike reading or watching horror because I’m too busy sympathizing with the monsters to root for the humans. It’s fairer to say that humans can be equally monstrous, so pinning evil and villainy on a creature just because they are “other” never interested me.
Instead, urban fantasy allows me to explore that sense of “otherness” using the supernatural, just as science-fiction has been teaching us about humanity through the lens of alien races for decades. Though still incorporating elements of monstrousness, supernatural creatures can be an equal part of society in open-world urban fantasy. That unique facet draws me in, and challenges me to create well-rounded characters no matter their species.
For example, in many urban fantasy stories that include the quintessential vampire “Master of the City,” they are often cast as antagonists to the main character, or at least road blocks that add conflict to the narrative. To be completely honest, my hero Victory (a vampire) became the Master of the City because, well, she was the only vampire in the city. What started out as an in-joke in my own head instead developed into flipping genre norms and humanizing the traditionally monstrous. Instead of shadowy underworld leader, I had a professional politician with a seat on the city’s ruling council, and echoes of that decision have rippled through each installment of my series.
Of course, it would have been easy to take the obvious road and make all of the “bad guys” in my series human. But that would have been boring and a little too on the nose. And even though I have vampire heroes, I certainly also have vampires who create conflict. But the fun thing about writing monsters, even when they’re also people, is figuring out what makes them monstrous. The four “worst” characters in my published books include two humans (one with magical powers and one without), one elf, and one weredragon. The weredragon is the most literal monster, but he fights for his family, whereas one of the humans fights because of prejudice and fear. The elven character plots for control over the world, but the other human has an evil born of selfish desire for power.
One day, I would like to challenge myself to create a truly villainous monster of a character and tilt a little more toward the horror genre, in the lines of Maria Alexander’s incredibly creepy “Mr. Wicker.” But for now, I’m happy to keep exploring what makes monsters human, and humans monstrous, through the scope of urban fantasy.
About the book:
As her children begin lives of their own, Victory struggles with the loneliness of an empty nest. Just when the city of Limani could not seem smaller, an old friend requests that she come out of retirement for one final mercenary contract—to bodyguard his granddaughter, a princess of the Qin Empire.
For the first time in a century, the Qin and British Empires are reopening diplomatic relations. Alongside the British delegation, Victory and her daywalker Mikelos arrive in the Qin colony city of Jiang Yi Yue. As the Qin weredragons and British werewolves take careful steps toward a lasting peace between their people, a connection between the Qin princess and a British nobleman throw everyone’s plans in disarray.
Meanwhile, a third faction stalks the city under the cover of darkness.
This is not a typical romance. It’s a good thing Victory is not a typical vampire.
By day, J. L. Gribble is a professional medical editor. By night, she does freelance fiction editing in all genres, along with reading, playing video games, and occasionally even writing. She is currently working on the Steel Empires series for Dog Star Books, the science-fiction/adventure imprint of Raw Dog Screaming Press. Previously, she was an editor for the Far Worlds anthology.
Gribble studied English at St. Mary’s College of Maryland. She received her Master’s degree in Writing Popular Fiction from Seton Hill University in Greensburg, Pennsylvania, where her debut novel Steel Victory was her thesis for the program.
She lives in Ellicott City, Maryland, with her husband and three vocal Siamese cats. Find her online (www.jlgribble.com), on Facebook (www.facebook.com/jlgribblewriter), and on Twitter and Instagram (@hannaedits).
The other day, I got a call from a relative who was very upset. Based on my interest in and amusement over a personal anecdote they’d recently shared, this person decided that I was “writing a book” about them. They went on to threaten me in such elaborate and specific ways that, had they been a stranger, I might have been worried. As it turns out, I’m not concerned. Why? Because of this:
Dear family, I’m not f*&king writing about you.
Seriously, you guys. I’m not.
It’s common for family members to worry that their writing kin are mining domestic secrets and personalities for material to exploit. Two reasons come immediately to mind:
There’s always that jerk in the family who, after a family quarrel shouts, “I’m going to write a memoir! Just you people wait!” Of course, then everyone’s scared that their jerk brother or aunt or whoever is going to make them look bad. And it’s true that entirely too many would-be writers think, “My family is SO CRAY-CRAY. The whole world will be lining up to read this!”
(Dear would-be writers, it’s not bloody likely.)
You might be disappointed to hear that an author is protected legally by the First Amendment when writing a memoir because they’re discussing events that happened to themselves. But if they’re scribbling random anecdotes about things that happened to siblings, parents, and other kin, they could fall into muddy legal terrain. And in either case, if it’s something that puts the subject in a criminal light, the writer could be in legal hot water. In fact, this is one of the dangers of self-publishing. A legitimate agent and publisher would recognize the legal risk. An inexperienced writer — like your jerk brother — might not. But don’t worry. Your jerk brother’s chances of getting a major publishing deal are slim to none. And getting noticed through Amazon self-publishing is just as unlikely. That’s if he ever finishes his magnum opus, of course. So, let him scribble.
(For the record, I’ve written a memoir. And none of you family lot are in it. So, just chill, okay?)
2. The Belief that Creativity Is a Soulless, Marrow-Sucking Ghoul
Another big reason family members fear they’re being “written about” is because people who aren’t writers don’t understand how creativity works. Many think writers are constantly on the prowl for “inspiration,” that everything they write comes from outside of themselves. Some even see writers as intellectual leeches that exploit any interesting event they hear about to make a buck or simply get attention.
People are afraid of being exploited and thereby exposed. I get it. But creativity doesn’t have to — and often doesn’t — work that way.
Dear family, it’s about me, not you.
I can’t say there aren’t people out there trawling their family history for material (or at least trying). However, I can speak for myself as I say that I’m inspired far more by what happens to me rather than by what happens to other people. My short stories tend to be somewhat autobiographical. In those cases, I take a true story — something that happened to me personally — and then introduce a supernatural element that, by the time I’m done, has fictionalized everything. So, if I’m a ghoul, I’m sucking my own tasty, tasty marrow.
My books are wholly made up. There’s very little of me or anyone I know in them. That’s just how it is.
I’ve only once explicitly written about something that happened to a family member, which was when I wrote that essay about my sister Danielle’s tragic accident. Not only did her tragedy and profound disability deeply affect me, I felt Danielle’s story was important to share since distracted driving is epidemic, and teens are especially susceptible to lifelong disability from traumatic brain injury. Plus, numerous people over the years have asked me how she’s doing. The essay is an effective way to convey the reality of her situation, especially since she’s unable to do it herself.
Dear family, READ WHAT I WRITE.
Had this family member read anything of mine to start with, they’d have realized that their particular life event is totally out of my wheelhouse (among other things). Of course, fear is blinding. Perhaps they would have suspected the worst no matter what they knew about my writing. Or me.
I reminded this relative that I loved them and would never do anything that might expose them to harm or ridicule, but that didn’t help. At all. It just goes to show that fear is irrational and you can’t allay anxieties once they’ve risen. This blog post is meant to be prophylactic against future questions.
I just ask that, if someone in your family is a writer, read what they’ve published before worrying that they’re mining your life for material. And if they’ve never published anything, rest assured whatever they write might not see the light of day, even if they self-publish.
Earlier today, I was out picking up bits of trash that blow into our front yard. Except for the last two weeks, which have been insanely hot, I actually spend a lot of time watering the trees and cleaning up our front yard, even though we have gardeners come every week. I like to spend time with the apple tree especially, as we’ve had lots of apples this year.
Today, I found this.
We get a lot of weird stuff in our front yard, mostly thanks to a guy who, one year later, still has it out for us because we had his car towed when it was blocking our driveway overnight. Since we got security cameras, this giant man-baby has been tossing things into our yard from stage left, just off camera. But a good amount of detritus blows into the front yard, having been dropped by lazy jerks wandering the neighborhood.
Security Cameras to the Rescue!
I was certain if I checked the security cameras I’d find the culprit. Not that it would matter. LAPD detectives are kind of busy with other, more serious problems than dildo dumpers. But I still needed to see what in the world had happened. The least I could do is post it to NextDoor.com and see if the neighbors could identify the culprit. I half expected to see it sailing from somewhere stage left into our yard, having been thrown by the giant man-baby.
I checked the cameras and found that yesterday a grandmotherly lady with three children wandered past our house going toward the main street. As she walked by, Grandma did a double-take at our property. When they came back and passed our house again, Grandma stopped and poked at something that was lodged in our fence.
The dildo had been lodged in the top of the fence, pointing outward to the street. Which made me wonder:
Just how long was that thing stuck in our fence?
Thankfully, it’s glow-in-the-dark (!), which made it easy to see on the security cameras at night. I figured the culprit had stuck it in our fence the night before. Logical assumption since I’m out there watering and picking up wind-blown garbage, right? Okay, maybe not so often these last two weeks, but the gardeners would have noticed, wouldn’t they? They were just here on Wednesday.
The Giver of the Gift of Love
With growing horror, I clicked back day after day on the security cameras until I hit the magic day and discovered the truth.
The dildo had been stuck in our fence taunting passersby FOR TEN DAYS.
And here’s how it got there.
For some reason, a random dude drinking out of a paper bag staggered past our house and decided a good place to stash his glow-in-the-dark dildo — that he just happened to be carrying around?!? — was on our fence.
All I know is that we’ve got to spend more time on the sidewalk outside the front of our house — that is, if we’re going to retrieve any other prominently placed weapons of ass destruction in a timely fashion.
If not, I guess people are just going to have to think we’re dicks.
I was worried about Wonder Woman. Not about Gal Gadot being fit for the part, nor even if the story would continue the dismal DC parade of failed narratives. (Okay, maybe the latter a little.) No, mostly I was worried I’d have to watch reams of stupid sword stuff like this.
I covered why this sword-on-the-back thing is terrible in my essay, “Four of the Dumbest Things Done with Swords in Fiction and Film.” It applies to both katanas and beefy, quasi-gladii like “The God Killer.” This photo appears all over the Internet whenever anyone talks about Wonder Woman. It makes the movie look dumb as dirt. (To me, anyway.)
Fortunately, this image didn’t appear in the movie at all. I remember one scene where the sword had been fastened to her back with leather thongs, only to magically appear in her hand a few moments later after a scene cut, but that was about it. In an earlier scene, she wears the sword at her side, where it’s actually accessible. As for the dance scene, I’m going to pretend that didn’t happen…
…because, for the most part, this movie was glorious.
Robin Wright: From Buttercup to Butt-kicker
I don’t want to add any more photos or details in case of spoilers. Suffice it to say that, as I watched the Amazons fight, it was so beautiful I cried. The Amazons were chiefly comprised of professional female athletes. They absolutely killed it with the battle choreography, making every moment breathtaking. And they looked frightening in battle. In fact, I didn’t even recognize Robin Wright as Antiope, not until long after the movie was over when someone online pointed out who she was. Gotta say, to see thick scars snaking over Antiope’s body made me swoon.
(Also made me swoon: Chris Pine tied up with the Lasso of Truth, kneeling before the Amazons as he winced with pain. Ahem.)
As for Diana Prince, Gal Gadot fit the part perfectly, bringing a believable naïveté to her courageous personality. God, I loved her. The No Man’s Land scene is already a classic.
My congratulations to the stunt and fight choreographers and coordinators: Damon Caro, Wayne Dalglish, Allen Jo, Tim Rigby, Marcus Shakesheff, Lee Sheward, and Rudolph Vrba. Amazing work.
But most of all, thanks to Patty Jenkins. You made the heart of this swordwoman sing.
I won’t lie. When I was notified that Snowed had received an Anthony Award nomination for Best Children’s/YA Novel, I got a bit emotional. I was just coming off the high of the book winning the 2016 Bram Stoker Award for Superior Achievement in a Young Adult Novel, which was awesome enough. But the Anthony’s speak to a whole different part of me as an author.
Mysteries: My First Literary Love
When I was a child, we didn’t have much money, and only very few books at home. My elementary school here in Los Angeles didn’t have a library, but it did have a Book Mobile that restricted me to books in my age group. That was extremely frustrating because I was easily reading six grades above that. My friends in first grade teased me for reading “grownup” books because they didn’t have pictures in them.
The Gift of Books that Changed My Life
Those “grownup” books I was reading? My mother worked as a clerk at Thrifty Drugs. I was in first grade when a coworker, who’d heard that I liked to read, gave my mother the first 50 Hardy Boys books. I was in heaven! I quickly moved onto Agatha Christie and Edgar Allan Poe, buying Christie paperbacks with birthday money. I also loved the more “age appropriate” mysteries of Zilpha Keatley Snyder. Although I saw The Fly at three years of age (thanks, big brother!), I didn’t discover monster movies, vampires, and ghost stories until a few years later. But meanwhile, I devoured Encyclopedia Brown and The Great Brain books. I loved puzzles, and mysteries scratched that itch.
How it Started
My childhood and I didn’t know it.
Part of my love of crime stories in particular came out of my troubled childhood. My father was an investigator for the Franchise Tax Board. While my mother worked weekends, he used to make my baby sister and I scrunch down in the back seat of his Dodge while he went dumpster diving in the Hollywood Hills. I thought it was terribly exciting. When I told my mom, she thought it was entirely TOO exciting. Those trips ended there. We wound up leaving Los Angeles just after my dad helped bring down a major narco in L.A. by getting him on tax evasion. I never understood half the things my parents talked about until many years later as I was watching Narcos on Netflix. Boy, was that a surprise.
Anthony Awards and Bouchercon
But I only started writing mysteries and crime fiction myself in the last few years. Being involved in the mystery writing community has been a pure joy. At my first Bouchercon, I found vintage Sherlock Holmes novels in the dealer’s room and quickly discovered the rapture of reading Arthur Conan Doyle, something I’d somehow missed growing up. I quickly became a fan of many modern mystery and noir authors such as Megan Abbott, Laura Lippman, J.C. Lane (nom de plume of Judy Smucker Clemens), Kelli Stanley, Thomas Harris, Donna Moore, and others.
As you might guess, it boggles my mind to be on an awards nomination slate with Megan Abbott, Laura Lippman, and JC Lane. To say it’s an honor just to be nominated is an understatement. Here are my fellow nominees in the Best Children’s/YA Novel category:
Snowed – Maria Alexander [Raw Dog Screaming]
The Girl I Used to Be – April Henry [Henry Holt]
Tag, You’re Dead – J.C. Lane [Poisoned Pen]
My Sister Rosa – Justine Larbalestier [Soho Teen]
The Fixes – Owen Matthews [HarperTeen]
I wish everyone the best of luck! And I thank the Bouchercon attendees for this enormous honor with all my heart.
Goodreads Giveaway and Kindle Sale
In celebration, I’m offering a Goodreads giveaway of a hardcover copy of Snowed. Please enter and share with your friends!
And the publisher Raw Dog Screaming Press is offering the Kindle for only $2.99.
First, StokerCon 2017 was held on The Queen Mary. If you’ve read my short story “Some Divine,” you’ll have some idea of the spooky-crazy stuff that I’ve experienced on that ship. The experiences were so powerful that I had to fictionalize them. Otherwise, who’d believe it?
I’m not asking that question anymore.
Anyway, I’d agreed in advance to play Werewolf: The Apocalypse onstage that Friday with George R.R. Martin, Stephen Graham Jones, Chuck Wendig and Nancy Holder. I couldn’t have asked for a more prestigious, hilarious, creative group of people. Our Storyteller Bill Bridges brought us on a fun adventure battling Black Spiral Dancers (mais bien sûr) and The Wyrm they serve. Someone in the audience was sweet enough to lend me and Stephen fuzzy wolf ears to wear as we played. I just about DIED when I saw the photos.
(Speaking of dying, I was suffering the worst allergies of my life. I’m surprised my eyes don’t look even puffier in this photo, although the right one looks swollen for sure.) Anyway, Patrick Freivald took this group tabletop photo as proof of the madness. That’s me next to GRRM on the far left.
After the game, I was so sick from allergies that I crawled back to my room, totally forgetting I had a YA panel to be on at that time. Ugh! It was the first time I’d ever missed a panel in my life. I began self-flagellating between power sneezes. I eventually got some “severe” cold medication from the gift shop, which seemed to dam the tide for slightly longer intervals than double-Sudafed doses. (Which is bad, I know.)
Saturday was looking better now that I had some almost workable meds. I was on Lee Murray’s terrific panel about Collaborations in Horror, and then the equally awesome Libraries and Authors panel moderated by the wonderful JG Faherty. There, I at last met the librarian Becky Siegel Spratford, whose blog I’d read without even realizing it!
After the afternoon signing, I had to get ready for the Bram Stoker Awards banquet. This year, I wrote a speech, which some folk might think would jinx the whole thing. But for all my woo-woo beliefs, I actually don’t believe you can “jinx” something that was decided by other people five weeks ago. I’m really glad, too, because I freaking won!
This award meant a lot to me. As far as my stories go, Snowed is the love of my life. It’s the best thing I’ve published to date, and I’m really proud of it. That said, I’m truly humbled and honored by the award. The ballot was fierce, you guys. I’m grateful that my peers found my work worthy. To everyone who read and voted, you have my heartfelt thanks.